CHRIS DOYLE

( United States)


EDUCATION

 

1985

Master of Architecture, Degree with Distinction

Harvard University, Graduate School of Design

 

1981

Bachelor of Arts, Magna cum laude Boston College, School of Arts and Sciences

 

 

SOLO EXHIBITIONS

 

2007

The Moons, Permanent outdoor Video Installation, Sprint Area, Kansas City, MO

50,000 Beds, Presented simultaneously at The Aldrich Museum, Ridgefield, CT; Artspace, New Haven, CT; and Real Art Ways, Hartford, CT

 

2006

Vault, Permanent installation, Jackson County Courthouse, Kansas City, MO

Recent Video Works, List Visual Art Center, MIT, Cambridge, MA

 

2005

FLIGHT POWER LOVE TOWER, Jessica Murray Projects, New York

 

2004

Dream of Arcadia, The Drawing Room, East Hampton, NY

We Will Again Be Optimists, five channel video projection, 48 Wall Street, New York, NY

Loops: Chris Doyle & Jackie Gendel, Voelcker und Freunde Gallerie, Berlin, Germany

Search Engine, Trahem Gallery + façade Projection, Austin Peay University, Clarksville, TN

 

2003

Do You Like Plain Pleasures?, Jessica Murray Projects, New York, NY

Endless Love, Sculpture Center, Queens, NY

 

2002

In Private, Jessica Murray Projects, New York, NY

 

2001

5.5, “Untitled House Project,” Real Art Ways, Hartford, CT

 

2000

Leap, video projection on 2 Columbus Circle + subway car cards, New York, NY

Some Natural History, Installation, University of Michigan Museumof Art, Ann Arbor, MI

What I See When I Look At You, façade video projection, University of Michigan Museum of Art, Ann Arbor, MI

 

1999

When I Grow Up I Want To Be Famous, video installation, Long Island University, Brooklyn, NY

 

1998

Dog Run, outdoor installation at Long Island University, Brooklyn, NY

 

1996

Commutable, installation, Manhattan entrance to the Williamsburg Bridge, Public Art Fund, NY

 

 

 

SELECTED GROUP EXHIBITIONS

 

2006

I Heart the Burbs, Katonah Museum of Art, Katonah, NY

 

2005

Scanners: New York Video Festival, Lincoln Center, NY

Wittgenstein in New York, Neue Nationalgalerie, Berlin, Germany

NextNextArt, Brooklyn Academy of Music, Brooklyn, NY

 

2004

Face Off, Ronald Feldman Fine Arts, New York, NY

Open House: Working in Brooklyn, Brooklyn Museum, Brooklyn, NY

Closed Universes, Galerija Kontura, Zabreb, Croatia

Art as Autobiography, Rare Gallery, New York, NY

Works on Paper, Voelcker und Freunde Gallerie, Berlin, Germany

Grotto II, Jessica Murray Projects, New York, NY

 

2003

How Deep is Your Love, Jessica Murray Projects, New York, NY

American Dream, Ronald Feldman Fine Arts, New York, NY

2002

Grotto, Jessica Murray Projects, New York, NY

Heart of Gold, P.S. 1 Museum of Contemporary Art, Queens, NY

Eyestalk, “Viva I (Franks)” Video installation, Smack Mellon, March 9, Brooklyn, NY

Interval, “Natural History II” Video installation, Sculpture Center, Queens, NY

 

2001

Crossing the Line, “Motorhome,” Outdoor Multimedia Performance,

Queens Museum of Art, Queens, NY

Crossing the Line, “Gorgeous One Family Detached,” Queens

Museum of Art, Queens, NY

Interval, Sculpture Center, Long Island City, NY

Another Day on Planet Earth, DeChiara/Stewart, New York, NY

 

1999

Flock, Socrates Sculpture Park, Queens, NY

 

1998

Transfiguration, “Lift,” Bronwyn Keenan Gallery, New York, NY

Hybrovideo, “Lessons,” Exit Art, New York, NY/PARK4DTV, Amsterdam, Holland

 

1994

Gene Culture, “Greenbathing,” Fordham University, Bronx, NY

Slippery House, Galerie J. Fragnera, Prague, Czech Republic

 

 

 

SELECTED BIBLIOGRAPHY

2006

“His Videos Take Flight.” Editors, The Boston Globe, April 3.
“On the Screen: It’s a Bird! Or is it Bob?” Dave Helling, Kansas City Star, February 18.
“Art In The Public Eye.” Editors, Kansas City Star, February 10
“Let The Art Debate Start.” Lynn Horsley, Kansas City Star, February 9.

 

2005

“Flight Power Love Tower.” Editors, The New York Times, November 7.
“Flight Power Love Tower.” Ken Johnson, The New York Times, November 4.
“Artist of the Week (10/24/05).” Edward Winkleman,
www.edwardwinkleman.blogspot.com, October 23.
“Subverting the Saccharine: Contemporary Watercolor.” Cindy, Moore, www.ducts.org, Summer.

 

2004

“What’s So Funny About Contemporary Art.” Linda Yablonsky, ARTnews, September issue.
Eds. PLOP: Recent Projects of the Public Art Fund. Susan K. Freedman et al., London/New York,
“Frische Malerei aus Manhattan.” Christiane Meixner, Morgenpost, May 18.
“Critics Pick: Chris Doyle” David Maddox, Nashville Scene, March 11.

 

2003

“Chris Doyle: Do You Like Plain Pleasures?” Brian Sholis, Flash Art, November/December.
“Williamsburg—das New Yorker Galerienwunder.” Elena Sorokina, Junge Kunst, Nr. 56, Fall, pages 22-27 (illus.).

 

2002

“Chris Doyle: In Private.” Lytle Shaw, Time Out New York, March 7.

 

2001

“Funky Digs With Lots of Space . . . “ Roberta Smith, The New York Times, September 28.
“Art Finds Its Center.” Corey Takahashi, Newsday, September 28.
“Technology Has Entered Fully Into The Realm of Public Art.” Caitlin Dover, Print, July/August.

 

2000

“Joy, Video Invasion.” Colby Hakanson, Detroit News, September 6.
“A Conversation with Chris Doyle.” Karen Goldbaum, Insight, September/October.
“Creative Forces.” Kimberly Pfaff, Space, September/October.
“Small Screens, Big Ideas.” Roger Green, The Ann Arbor News, September 2.
“Pierogi: Flatfiles.” Megan Wilson, San Francisco Bay Guardian, August 16.
“A Lot of New Yorkers With Their Heads in the Clouds.” Kimberly Stevens, The New York Times, April 30.
“Leap of Faith.” Billie Cohen, Time Out New York, April 20.
“Leap.” Darcey Steinke, www.ArtNewYork.com, March.
“High Hopes.” Editors, ARTnews, March.
“Ever Wonder . . .” Rania Adwan, Dazed and Confused, March.

 

1999

“Splendors In The Grass.” Ariella Budick, Newsday, August 22.

“A Fertile Garden of Sculptures.” Ken Johnson, The New York Times, August 13.

 

1996

“The Artist’s Gild.” Editors, New York Magazine, September 30.
“Flight of Fancy.” Bruce Weber, The New York Times, September 11.

 

 

ADDITIONAL INFORMATION

 

Chris Doyle is a multidisciplinary artist based in Brooklyn, New York. His work as been shown at The Brooklyn Museum of Art, The Queens Museum of Art, P.S. 1 Museum of Contemporary Art, and as part of the New York Video Festival at Lincoln Center. He has shown internationally in Germany, Croatia, and The Czech republic. His major public projects include LEAP, presented by Creative Time, Commutable, presented by The Public Art Fund and We Will Again Be Optimists, presented by Wall Street Rising, and Brooklyn Eagle at The Brooklyn Academy of Music. His work has been supported by grants from New York Foundation for the Arts, NYSCA, and the Creative Capital Foundation.